The layout of the hotel makes no sense whatsoever. Stuart Ullman’s office has a nice big window in the middle of the building, the Colorado Room has multiple floor to ceiling windows with a mystery hallway behind them. There’s hallways that lead into walls, windows that can only be seen from inside, hotel rooms that seem to overlap the same space, the hotel interiors have nice right angles while the outside doesn’t. The freezer flips sides of the hallway between shots. The spaces between the doorways in Room 237’s hallway are far too small to actually contain any rooms of that size. This was done deliberately for dramatic/horror effect.
Whenever feasible, one should always try to eat the rude.
Anthony Hopkins, Dark Victory 1976
mads + sports
FENDI Spring RTW 2015
I’m sorry, Jack.
The Blacklist: Countdown to Season 2 → The Pavlovich Brothers (4 days to go!)